Japanese Horror Cinema and Deleuze: Interrogating and...

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Japanese Horror Cinema and Deleuze: Interrogating and Reconceptualizing Dominant Modes of Thought

Rachel Elizabeth Barraclough
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Using theories of national, transnational and world cinema, and genre theories and psychoanalysis as the basis of its argument,Japanese Horror Cinema and Deleuzeargues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.
In particular, the complexities and nuances of how films likeJu-On: The Grudge(2002),Audition(1999) andKairo(2001) (and beyond) form dynamic, transformative global networks between industries, directors and audiences can be considered. Furthermore, understandings of how key horror tropes and motifs apply to these films (and others more broadly), such as the idea of the “monstrous-feminine”, can be transformed, allowing these models to become more flexible.

年:
2022
出版社:
Bloomsbury
言語:
english
ページ:
264
ISBN 10:
150136829X
ISBN 13:
9781501368295
ファイル:
PDF, 1.98 MB
IPFS:
CID , CID Blake2b
english, 2022
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